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The concept is simple: friends, colleagues, and family were invited for a Balkan breakfast. The pages pair people who are related in some way, while all still lifes were produced in the same 39 m² home.
Polaroid-type positives appear on the left side of the work. In the handmade book they coexist with discarded negatives that were never meant to come into contact with the image surface. Separated only by a transparent folio, the toxic material slowly affects the pages, placing the book in a continuous process of deconstruction while keeping the work itself toxic.





